This contribution explores the Norge Expedition of 1926 (the first transpolar flight from Svalbard to Alaska) as a landmark event in Arctic history and as a living piece of cultural heritage. A century later, the material and visual traces of the expedition continue to shape the identity of the Svalbard archipelago: the mooring mast in Ny-Ålesund, the Amundsen Villa, the documentary footage filmed during the flight. Through the concepts of sense of place and cultural imaginary, the text reflects on how the Norge Expedition has contributed to the construction of an Arctic imaginary that persists and evolves, layered onto the successive human activities that have marked the archipelago, from whaling and mining to scientific research and tourism. The expedition emerges not only as a historical event to commemorate, but as a site of ongoing place-making, where objects, monuments, and images actively participate in the narration of a remote and contested place.
Zampieri, A. (2026). From Space to Place. In D.s.d.s.t.e.t.p.l. Cnr (a cura di), 100 years over the North Pole. 1926-2026 Cent’anni di esplorazione polare: visioni, scienza e futuro Hundre år med polar utforskning: visjoner, vitenskap og framtid. Cnr Edizioni.
From Space to Place
Zampieri, A.
2026
Abstract
This contribution explores the Norge Expedition of 1926 (the first transpolar flight from Svalbard to Alaska) as a landmark event in Arctic history and as a living piece of cultural heritage. A century later, the material and visual traces of the expedition continue to shape the identity of the Svalbard archipelago: the mooring mast in Ny-Ålesund, the Amundsen Villa, the documentary footage filmed during the flight. Through the concepts of sense of place and cultural imaginary, the text reflects on how the Norge Expedition has contributed to the construction of an Arctic imaginary that persists and evolves, layered onto the successive human activities that have marked the archipelago, from whaling and mining to scientific research and tourism. The expedition emerges not only as a historical event to commemorate, but as a site of ongoing place-making, where objects, monuments, and images actively participate in the narration of a remote and contested place.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


