This paper investigates the moral panic that emerged in Italy around the so-called maranza youth, focusing on the case of influencer Don Alì and his outlandish TikTok challenge to invade southern Italy. I examine how a digital provocation — initially designed for engagement and monetization — was reframed into a public order issue by traditional media and law enforcement. I highlight the interplay of algorithmic storytelling and processes of racialization in shaping both the subcultural practices of second-generation youth and their public representation. Interpreted through the metaphor of professional wrestling, this case reveals how ambiguity between fiction and reality sustains attention economies while exposing marginalized creators to intensified surveillance and exclusion. Ultimately, I argue that this episode exemplifies how moral panics still function as mechanisms of social control, redirecting structural inequalities into spectacles of deviance and reinforcing broader narratives of marginalization in contemporary digital societies.
Pilati, F. (2026). From TikTok challenges to moral panic: Don Alì and the “invasion of southern Italy”. FIRST MONDAY, 31(5), 1-13 [10.5210/fm.v31i5.15442].
From TikTok challenges to moral panic: Don Alì and the “invasion of southern Italy”
Pilati, Federico
2026
Abstract
This paper investigates the moral panic that emerged in Italy around the so-called maranza youth, focusing on the case of influencer Don Alì and his outlandish TikTok challenge to invade southern Italy. I examine how a digital provocation — initially designed for engagement and monetization — was reframed into a public order issue by traditional media and law enforcement. I highlight the interplay of algorithmic storytelling and processes of racialization in shaping both the subcultural practices of second-generation youth and their public representation. Interpreted through the metaphor of professional wrestling, this case reveals how ambiguity between fiction and reality sustains attention economies while exposing marginalized creators to intensified surveillance and exclusion. Ultimately, I argue that this episode exemplifies how moral panics still function as mechanisms of social control, redirecting structural inequalities into spectacles of deviance and reinforcing broader narratives of marginalization in contemporary digital societies.| File | Dimensione | Formato | |
|---|---|---|---|
|
Pilati-2026-First Monday-VoR.pdf
accesso aperto
Tipologia di allegato:
Publisher’s Version (Version of Record, VoR)
Licenza:
Creative Commons
Dimensione
245 kB
Formato
Adobe PDF
|
245 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


