This essay considers the tensions informing Nietzsche's reflection on intertwined issues of nature, art, sexuality, and the feminine. Through the figure of Dionysus, Nietzsche articulates a suggestive understanding of generation as the upsurge of nature in its transformative movement. The juxtaposition of Luce Irigaray's elaboration of the Dionysian calls for an interrogation of Nietzsche's work regarding (1) the sublimation of nature into art and of sexuality or sensuality into artistic drives, (2) the oblivion of sexual difference in the coupling of Apollo and Dionysus, and (3) the disappearance of love from the scene of creativity and procreation and, concomitantly, the emphasis on suffering and dismemberment. © 2005 Brill Academic Publishers.
Baracchi, C. (2005). Elemental Translations: From Friedrich Nietzsche and Luce Irigaray. RESEARCH IN PHENOMENOLOGY, 35(1), 219-248 [10.1163/1569164054905447].
Citazione: | Baracchi, C. (2005). Elemental Translations: From Friedrich Nietzsche and Luce Irigaray. RESEARCH IN PHENOMENOLOGY, 35(1), 219-248 [10.1163/1569164054905447]. | |
Tipo: | Articolo in rivista - Articolo scientifico | |
Carattere della pubblicazione: | Scientifica | |
Presenza di un coautore afferente ad Istituzioni straniere: | No | |
Titolo: | Elemental Translations: From Friedrich Nietzsche and Luce Irigaray | |
Autori: | Baracchi, C | |
Autori: | ||
Data di pubblicazione: | 2005 | |
Lingua: | English | |
Rivista: | RESEARCH IN PHENOMENOLOGY | |
Digital Object Identifier (DOI): | http://dx.doi.org/10.1163/1569164054905447 | |
Appare nelle tipologie: | 01 - Articolo su rivista |
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