The present paper will focus on three, specific musical examples, in order to show: 1) How the relationship between identity and otherness can be actually observed in a piece of music. Example 1: Stravinsky, Tango. 2) How music can give voice to emotions that are others but not alien. Exemple 2: Debussy, Serenade for the Doll. 3) How humour and playfulness in music can play down any rhetorical approach to the origin as "the true identity". Exemple 3: Johann Strauss, Czardas from The Bat.
Ferrari, E. (2012). Understanding Otherness Through Music. PROCEDIA: SOCIAL & BEHAVIORAL SCIENCES, 47, 674-678 [10.1016/j.sbspro.2012.06.715].
Understanding Otherness Through Music
FERRARI, EMANUELE
2012
Abstract
The present paper will focus on three, specific musical examples, in order to show: 1) How the relationship between identity and otherness can be actually observed in a piece of music. Example 1: Stravinsky, Tango. 2) How music can give voice to emotions that are others but not alien. Exemple 2: Debussy, Serenade for the Doll. 3) How humour and playfulness in music can play down any rhetorical approach to the origin as "the true identity". Exemple 3: Johann Strauss, Czardas from The Bat.
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