Cultural heritage can take and be displayed in many forms. It can be in the form of a collection, a set of archaeological exhibits, or an invented narrative. The links between memory, archaeology and narrative may be fruitfully analysed in relation to two imposing expressions of “fake” art: Pamuk’s Museum of Innocence and Damien Hirst’s Unbelievable.
Mancino, E. (2019). In search for recovered object. Creative heritage as the aesthetic, pedagogical and desire-related outcome of “fake” museum art. In Advances in Intelligent Systems and Computing (pp.469-475). Springer Verlag [10.1007/978-3-030-12240-9_49].
In search for recovered object. Creative heritage as the aesthetic, pedagogical and desire-related outcome of “fake” museum art
Mancino E.
2019
Abstract
Cultural heritage can take and be displayed in many forms. It can be in the form of a collection, a set of archaeological exhibits, or an invented narrative. The links between memory, archaeology and narrative may be fruitfully analysed in relation to two imposing expressions of “fake” art: Pamuk’s Museum of Innocence and Damien Hirst’s Unbelievable.File in questo prodotto:
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