Cultural heritage can take and be displayed in many forms. It can be in the form of a collection, a set of archaeological exhibits, or an invented narrative. The links between memory, archaeology and narrative may be fruitfully analysed in relation to two imposing expressions of “fake” art: Pamuk’s Museum of Innocence and Damien Hirst’s Unbelievable.

Mancino, E. (2019). In search for recovered object. Creative heritage as the aesthetic, pedagogical and desire-related outcome of “fake” museum art. In Advances in Intelligent Systems and Computing (pp.469-475). Springer Verlag [10.1007/978-3-030-12240-9_49].

In search for recovered object. Creative heritage as the aesthetic, pedagogical and desire-related outcome of “fake” museum art

Mancino E.
2019

Abstract

Cultural heritage can take and be displayed in many forms. It can be in the form of a collection, a set of archaeological exhibits, or an invented narrative. The links between memory, archaeology and narrative may be fruitfully analysed in relation to two imposing expressions of “fake” art: Pamuk’s Museum of Innocence and Damien Hirst’s Unbelievable.
paper
Art and heritage education; Educating in aesthetic participation; Mythological-narrative heritage; Narrative fiction; Virtual museum and fake museum
English
1st International and Interdisciplinary Conference on Digital Environments for Education, Arts and Heritage, EARTH 2018
2018
Advances in Intelligent Systems and Computing
9783030122393
2019
919
469
475
none
Mancino, E. (2019). In search for recovered object. Creative heritage as the aesthetic, pedagogical and desire-related outcome of “fake” museum art. In Advances in Intelligent Systems and Computing (pp.469-475). Springer Verlag [10.1007/978-3-030-12240-9_49].
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10281/285156
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