In this article, we will respond to recent calls for a ‘green cultural criminology’ by attempting to open the way for new visual explorations of environmental harms and crimes, and by suggesting some methodological perspectives that can be advanced by the use and analysis of the photographic image. To demonstrate the power, potential and possibility—as well as some potential limitations—of a green cultural criminology with images, we draw on two ethnographic studies carried out in Huelva (Spain) and central Appalachia (United States). The described methods have the advantage of (1) bringing together the multiple and complex experiences of those who live in polluted areas; (2) considering the cultural meaning given to experiences of ecological change and destruction; and (3) exploring how those experiences are represented, communicated and understood. We conclude with a call to use qualitative visual approaches for carrying out research in an emergent green cultural criminology designed to develop a complex understanding of the multiple forms of environmental harms and crimes.
Natali, L., Mcclanahan, B. (2017). Perceiving and Communicating Environmental Contamination and Change: Towards a Green Cultural Criminology with Images. CRITICAL CRIMINOLOGY, 25(2), 199-214 [10.1007/s10612-017-9356-9].
Perceiving and Communicating Environmental Contamination and Change: Towards a Green Cultural Criminology with Images
Natali, L
;
2017
Abstract
In this article, we will respond to recent calls for a ‘green cultural criminology’ by attempting to open the way for new visual explorations of environmental harms and crimes, and by suggesting some methodological perspectives that can be advanced by the use and analysis of the photographic image. To demonstrate the power, potential and possibility—as well as some potential limitations—of a green cultural criminology with images, we draw on two ethnographic studies carried out in Huelva (Spain) and central Appalachia (United States). The described methods have the advantage of (1) bringing together the multiple and complex experiences of those who live in polluted areas; (2) considering the cultural meaning given to experiences of ecological change and destruction; and (3) exploring how those experiences are represented, communicated and understood. We conclude with a call to use qualitative visual approaches for carrying out research in an emergent green cultural criminology designed to develop a complex understanding of the multiple forms of environmental harms and crimes.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.