True crime, at the crossroads of narrative, documentary and art, is crime fact that looks like crime fiction. Through the case study of Making a Murderer (2015), the intent of this paper is to provide a theoretical framework for this genre, considering it as a vehicle for social transformation. More precisely, by adopting the perspective of Victor Turner, its goal is to focus attention on the delicate intersection of two levels: The sacred and official legal procedure (the liminal) and the critical, artistic and parallel interests of the true crime (the liminoid).
Binik, O. (2017). The art of crime between the liminal & the liminoid. The case of making a murderer. COMUNICAZIONI SOCIALI, 2017(2), 291-304.
Citazione: | Binik, O. (2017). The art of crime between the liminal & the liminoid. The case of making a murderer. COMUNICAZIONI SOCIALI, 2017(2), 291-304. | |
Tipo: | Articolo in rivista - Review Essay | |
Carattere della pubblicazione: | Scientifica | |
Presenza di un coautore afferente ad Istituzioni straniere: | No | |
Titolo: | The art of crime between the liminal & the liminoid. The case of making a murderer | |
Autori: | Binik, O | |
Autori: | BINIK, ORIANA (Corresponding) | |
Data di pubblicazione: | 2017 | |
Lingua: | Italian | |
Rivista: | COMUNICAZIONI SOCIALI | |
Appare nelle tipologie: | 01 - Articolo su rivista |
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