Mental practice (MP) is the cognitive rehearsal of a task in the absence of overt physical movements. It has been shown that MP allows performance improvements in various tasks, but little is known about the effectiveness of different strategies of MP and about the exact sensorimotor mechanisms that underlie this improvement. Several strategies of MP are here investigated in relation to the practice outcome. In particular, in the context of music performance, it is shown that pitch imagery is strongly associated with better performance, regardless of the specific nature of the musical task. Conversely, structural/formal analysis appears to be important for music memorization, and motor imagery for fine motor control. In terms of sensorimotor outcomes of the practice, it is shown that MP results in improvements of movement velocity, movement anticipation and coarticulation. Additional experiments from force-field learning paradigm show that MP can also result in changes of somatosensory perception. Results are discussed in the context of the simulation theories of motor control.

(2013). Mental practice: rehearsal strategies and sensorimotor outcomes. (Tesi di dottorato, Università degli Studi di Milano-Bicocca, 2013).

Mental practice: rehearsal strategies and sensorimotor outcomes

BERNARDI, NICOLO' FRANCESCO
2013

Abstract

Mental practice (MP) is the cognitive rehearsal of a task in the absence of overt physical movements. It has been shown that MP allows performance improvements in various tasks, but little is known about the effectiveness of different strategies of MP and about the exact sensorimotor mechanisms that underlie this improvement. Several strategies of MP are here investigated in relation to the practice outcome. In particular, in the context of music performance, it is shown that pitch imagery is strongly associated with better performance, regardless of the specific nature of the musical task. Conversely, structural/formal analysis appears to be important for music memorization, and motor imagery for fine motor control. In terms of sensorimotor outcomes of the practice, it is shown that MP results in improvements of movement velocity, movement anticipation and coarticulation. Additional experiments from force-field learning paradigm show that MP can also result in changes of somatosensory perception. Results are discussed in the context of the simulation theories of motor control.
BRICOLO, EMANUELA
Mental practice; Motor control; Motor anticipation; Somatosensory plasticity; Observational learning; Musicians' injuries
M-PSI/01 - PSICOLOGIA GENERALE
English
29-gen-2013
PSICOLOGIA SPERIMENTALE, LINGUISTICA E NEUROSCIENZE COGNITIVE - 52R
24
2011/2012
In collaboration with: 1) Institute of Music Physiology and Musicians’ Medicine (Hannover, Germany); 2) Music Conservatory G. Verdi (Milano, Italy); 3) Department of Psychology, McGill University (Montreal, Canada).
open
(2013). Mental practice: rehearsal strategies and sensorimotor outcomes. (Tesi di dottorato, Università degli Studi di Milano-Bicocca, 2013).
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10281/41783
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